Sunny Edwards Memorial Quilt ~ Improvisational Patchwork

The improvisational patchwork top was made by Rowan Edwards and myself from his grandfather’s, Sunny Edward’s western shirts. We met weekly for three-hour collaborative sessions in my studio until the top and back were complete.

Click on the gallery to scroll through the full images.

At the beginning of the Passage Quilting process Rowan and I discussed holding the simplicity of his grandfather’s life, along with the paintings of Clyfford Still –one of Rowan’s favorite visual artists– as inspiration for the quilt.

 Clyfford Still

The raw materials we had to work with were Sunny’s western shirts, which had lots of points in the collars, cuffs, pockets and backs –reminiscent of Still’s jagged canvases.

Improvisational patchwork memorial quilt

Once the top was complete, we had plenty of material left over so we pieced the back of the quilt from the back of Sunny’s shirts. The backside of the quilt is reminiscent of the wide open ranch land in Texas where Sunny lived most of his days.

The improvisational patchwork process mirrors the re-orientation of bereavement. Piecing the quilt top without a predetermined pattern provides an opportunity to examine life patterns and discover new ways of relating to the living and the deceased. It’s a process of trusting that transformation unfolds in its own time and way, and the outcome of loss is the blessing of new life.

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Honey Bee Dreams…

 

… and the blessings of summer!

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For Whom The Bell Tolls ~ Remembering Kathreen Ricketson

I heard the news two days ago about the death of Kathreen Ricketson and Rob Shrugg, her husband, and their two orphaned children Otilija and Orlando, ages 13 and 10.

Like so many others I’ve been touched by Kathreen‘s success and generosity. Before I started blogging Kathreen found my work online and invited me to participate in her book WhipUp Mini Quilts. When I began blogging in May 2010 I let Kathreen know and she immediately announced my blog on Whipup.net and just like that I was on the craft blog map. Later she invited me to do a guest post on quilting and bereavement.

I’ve been following Kathreen’s journey on Instagram since January as she began documenting a year of traveling with her family across Austraila, while writing a book about it. I vicariously appreciated the life she was making with her family, and marveled at the beautiful, gentle, intimate way she shared it with all of us.

After hearing the terrible news of Kathreen & Rob’s deaths, I went for my routine jog. I couldn’t stop thinking about Kathreen, her husband, their children, the glory of their lives on the road, the happiness and joy ending so suddenly and so tragically.

Then I thought of the meditation bell that I set to ring at 15 minute intervals during my daily mindfulness practice –ringing, ringing, ringing, startling my lost self out of some thought or worry that has distracted me from my path of being present.

Kathreen’s sudden death in the midst of such promise is like the meditation bell ringing, tolling for me. Suddenly on my run all the flowers became vivid, the smells more pungent. “Wake up, wake up and participate in the making of this beautiful world!”

I think Kathreen’s work has always been about this. Through her blogs, her books, her daily living she translated the importance of  slowing down, waking up, rejoicing in the simple pleasures of craft and relationships, asking us to belong to and participate with our families, our friends, our communities, and our environment –and now even the bright and horrible circumstances of her death has burned this same message into my heart and presumably the hearts of so many she has touched online and off.

I didn’t know Kathreen personally but I felt connected to her and her family, and I feel deep sadness when I think of the loss of her voice and vision, and of the impact of this tragedy on her children and loved ones.

The folks at Mason Dixon Knitting have invited bloggers to remember Kathreen & Rob this week, and to invite our readers to donate to a fund for the care of their children. Please join me in donating if you are able –in celebration of Kathreen and Rob’s life and in appreciation of their life’s work.  Every little bit helps.









 

Meditation #17 By John Donne From Devotions upon Emergent Occasions (1623), XVII:

Nunc Lento Sonitu Dicunt, Morieris (Now this bell, tolling softly for another, says to me, Thou must die.)

Perchance, he for whom this bell tolls may be so ill, as that he knows not it tolls for him; and perchance I may think myself so much better than I am, as that they who are about me, and see my state, may have caused it to toll for me, and I know not that. The church is catholic, universal, so are all her actions; all that she does belongs to all. When she baptizes a child, that action concerns me; for that child is thereby connected to that body which is my head too, and ingrafted into that body whereof I am a member. And when she buries a man, that action concerns me: all mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated; God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice; but God’s hand is in every translation, and his hand shall bind up all our scattered leaves again for that library where every book shall lie open to one another. As therefore the bell that rings to a sermon calls not upon the preacher only, but upon the congregation to come, so this bell calls us all; but how much more me, who am brought so near the door by this sickness.

There was a contention as far as a suit (in which both piety and dignity, religion and estimation, were mingled), which of the religious orders should ring to prayers first in the morning; and it was determined, that they should ring first that rose earliest. If we understand aright the dignity of this bell that tolls for our evening prayer, we would be glad to make it ours by rising early, in that application, that it might be ours as well as his, whose indeed it is.

The bell doth toll for him that thinks it doth; and though it intermit again, yet from that minute that this occasion wrought upon him, he is united to God. Who casts not up his eye to the sun when it rises? but who takes off his eye from a comet when that breaks out? Who bends not his ear to any bell which upon any occasion rings? but who can remove it from that bell which is passing a piece of himself out of this world?

No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were: any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.

Neither can we call this a begging of misery, or a borrowing of misery, as though we were not miserable enough of ourselves, but must fetch in more from the next house, in taking upon us the misery of our neighbours. Truly it were an excusable covetousness if we did, for affliction is a treasure, and scarce any man hath enough of it. No man hath affliction enough that is not matured and ripened by it, and made fit for God by that affliction. If a man carry treasure in bullion, or in a wedge of gold, and have none coined into current money, his treasure will not defray him as he travels. Tribulation is treasure in the nature of it, but it is not current money in the use of it, except we get nearer and nearer our home, heaven, by it. Another man may be sick too, and sick to death, and this affliction may lie in his bowels, as gold in a mine, and be of no use to him; but this bell, that tells me of his affliction, digs out and applies that gold to me: if by this consideration of another’s danger I take mine own into contemplation, and so secure myself, by making my recourse to my God, who is our only security.

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Sunny Edwards Memorial Quilt ~ The Gift of Clothing

For the past couple of months I have been collaborating with Rowan Edwards to make a quilt from the clothing of his grandfather, Sunny Edwards. Sunny was a rodeo cowboy from Texas. In these photos from 1950 Sunny is 30 years old.

Sunny’s fabulous western shirts, mostly Wrangler chambray, but also a few Pendleton wools and dress whites and stripes are his collaborative gift to Rowan, and the score for our improvisation.

For Rowan these starched, snap front shirts are the epitome of Sunny’s personality. He was an independent thinker who was well-respected amongst his peers.

Rowan is a designer and a shoe maker and he had the idea to make this quilt before we met. He was guided my Passage Quilts through one of his friends from art school who had heard of the bereavement work I do through improvisational process and quilt making.

Rowan wanted to take an active role in making the quilt. Rowan and I (and Sunny) meet weekly for three-hour collaborative sessions. After all it’s Sunny’s style –his fabulous western wear– that has set the course for the project. He is a partner in our collaboration.

After the initial consultation Rowan and I met to cut Sunny’s shirts apart. Acknowledging that these clothes will never be worn again by cutting them apart is often the most significant step in the bereavement quilt making processes. Did you know that the word bereavement means to tear apart?

Just as Rowan’s relationship with his grandfather has been transformed and functions differently through death, so too are Sunny’s clothes being transformed. They will no longer function as clothing but as a quilt. In Rowan’s words:

The experience of assessing, cutting, preparing pieces for a quilt that is supposed to represent a life well lived proved more complex than anticipated. How do you fully represent, honor people from your life story that offered so much in the way of legacy, integrity, quality of life, quiet sophistication and humor? Documentation is only a start. Having something concrete helps me remember and tell the tales that only hint at the value Sunny brought to those who knew him. So much more can be done. But this is a good start.

More to come…

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Extravagant Generosity

I work part time as the Parish Administrator at St. Gregory of Nyssa Episcopal Church, in San Francisco. I’m not a member, but I do feel like I belong in a way to this unique faith community. This month St. Gregory’s is featuring stories about extravagant generosity and since I had a story along those lines I decided to share.

Manna (1996), 130″ x 120″, was inspired by a sermon preached at my church at that time, United Church of Chapel Hill. Both the sermon and the quilt explore the story in Exodus 16:1-36 about God providing daily bread for the people of Israel while they were wandering in the desert after their escape from slavery in Egypt. The story goes that God rained bread from heaven, in the form of “manna” translated as “what is it?” every night and that the people were to gather just enough each morning to last the day. Since the people had little faith, they hoarded the manna, but to no avail. Except on the Sabbath, the manna became foul and wormy after a day.

My idea was to focus on the extravagant generosity of God’s providence, but I struggled for almost two years with this quilt. It didn’t start to flow until I finally gave into telling the story, which was my story, of how human fear and lack of faith in the providence of the Universe made me cling to the laws of scarcity and poverty. The golden piles of the hoarded manna became figures filled with avarice, laziness, fear, and the soured ideas of scarcity and control. The figures are golden but wormy, laced with barbed wire, and oozing blood.

In 1998 I was doing my first Artist Residency at the Headlands Center for the Arts. Part of the residency includes an open house where visitors can come and meet the artists and view the work being made in the studios. The open house began with a slide review of past work by resident artists and at this review there happened to be a group of board members visiting from Villa Montalvo, a budding arts center in Saratoga.

After the slide review one of these board members came to my studio and asked me questions about Manna which she had seen in the review. She wanted to know what size it was, the story behind it, where it was currently hanging, how much it cost. I answered her questions and told her the price was $10,000. Without batting an eye she whipped out her check book and wrote a check on the spot. She asked if I could have the quilt shipped from North Carolina to her home in Carmel. Needless to say there was plenty of jaw dropping happening as word about the sale spread.

About a week later I received a letter from my patron saying that she had decided not to take the quilt after all because it was going to be too big for her home in Carmel. She instructed me to keep the $10,000 as a gift in support of my ongoing creative work – imagine even more jaw dropping going on as the letter got passed around! My fellow residents and the staff could hardly believe this act of extravagant generosity.

After being exhibited at several arts centers and museums the large barbed wire quilt found a temporary home at my church in Chapel Hill. In 2002 when I decided to return to school for my MFA, the church offered me a $6000 scholarship to attend the graduate art program at Bard College, in exchange for permanent loan of Manna.

Manna has an extraordinary provenance. To this day I wonder about the wealthy woman who wanted to own a quilt that told the story of our human greed and lack of faith, with only a hint of the Universe’s extravagant generosity in the background.

I wonder about my patron’s extravagant generosity as I remember her call months later telling me how happy she was to support artists out of her gratitude for all of the wealth and good fortune in her life. I remember telling her about my pending divorce and how her gift was providing much-needed financial stability during a devastating and unexpected shift in my life.

I wonder about the extravagant generosity of my home church that freed me from the debt of student loans, again due to this quilt which was a testament to my fear and disbelief in the providence of God, the Universe, the Source, my Higher Power, my Inner Wisdom, of Chance, etc to take care of my basic needs.

I wonder about the way Inner Wisdom has come to me and others through this quilt, and about the power, the extravagant generosity of art to move people and rain bread from heaven.

I wonder about how this one quilt, that came early in my journey as an artist, continues to serve as a living testament to the extravagant generosity of a Higher Power, assuring me that I will be provided for on a daily basis, especially in the midst of uncertainty, in the midst of wandering in the wilderness, in the midst of rational knowledge and a climate of skepticism that advises against such a possibility, in the midst of wondering at the edge of the unknown, which is after all, the artist’s way.

Posted in Community, Mantras for Creativity, My Creative Process, Personal Heritage | Tagged , | 23 Comments

On Being Judged

RGB Modern returned from QuiltCon a couple of months ago, but a couple of weeks ago while I was spring cleaning I noticed a piece of paper in the bottom of the sack that my quilt was shipped in. It was the judge sheet with the juror’s notes.

I’ve entered my work into juried exhibitions before, where it is either accepted or rejected but I’ve never submitted my quilts for juror’s comments as is the tradition for quilt shows. In fact I typically advise my students against submitting their improvised quilts for jury by an outside authority. Why? Because finding and trusting one’s own authority is essential to developing authenticity in improvisational process.

So finding the unexpected juror’s notes on RGB Modern was a jaw dropping experience. I’m so satisfied with everything about this quilt, and consider it to be one of my recent bests. However the jurors thought differently. Comments included, “ineffective use of color, does not fit the modern quilt aesthetic, pattern to busy, piecework imprecise and too ambitious.” MY MY I had no idea! After the initial shock I began to laugh. (btw- this is not a criticism, or put-down of the QuiltCon jurors or organizers, they were doing their duty according to the system normalized by the community.)

In life too, I’ve had to learn to laugh at people’s judgements. Recently after a date, the person I was out with sent me a follow-up email saying I was splendid in every way but I needed kissing lessons. I retorted, “I’m a fine kisser, thank-you-very-much, however I’m not as accomplished as you are in turning on the instant passion.” The point being, I never take anyone else’s judgement of me or my work just personally. There may or may not be some seed of truth in it, but mostly other peoples judgements are about their personal preferences or insecurities, and I don’t find it useful.

I  don’t find my inner judge to be very useful either. I don’t know who controls that bitchy voice or where it comes from exactly but I’m not going to listen to her any more than the jurors at QuiltCon! My inner judge will knit pick my best quilt to pieces and leave me despondent if I let her. Instead I ask myself the following questions as a way to evaluate my work rather than judge it.

  • What surprised me while I was making this quilt?
  • What did I learn or discover during the process?
  • What did I find satisfying about the process or the outcome?
  • What am I dissatisfied with?
  • If I have a dissatisfaction, then what can I do differently next time to increase my satisfaction?

Even though QuiltCon is long over, it’s not forgotten. Cruising the blogs recently I noticed a couple of other people who shared their experiences of having their quilts judged, Cinzia at duex petites souris (whose quilt above was one of my favorites at QuiltCon), and Jodi at fiberhaus. If you’ve run across any others, or have posted one yourself please share the link or your story in the comments.

I think the notion of being judged is one of the “big life” issues built into traditional women’s craft. It provides us as quilt makers (modern or traditional) with a golden opportunity for exploring and re-visioning  our relationships to authority,  perfection, criticism, and judgement.

With all of that, I leave you with a few more personal favorites from QuiltCon.

Posted in Mantras for Creativity, Modern Improv, The Modern Quilt, Tools, Tips, Tutorials | Tagged , | 41 Comments

New Workshops for 2014

I’ve added two new improvisational patchwork classes to my workshop offerings and be sure to check out my newly posted teaching philosophy.

Modern quilting is about expanding the boundaries of the tradition without forgetting them. Improvisational patchwork is one of the cornerstones of the modern quilt movement because it drives the evolution of the movement. Improvisation is not design but the creative process behind design, cultivating and pushing it towards the fresh and authentic.

If you would like to take these workshops in your neck of the woods, PLEASE let your guild leaders and shop owners know –I’m now scheduling for 2014! Contact me.

 

Modern Memory Lane T-Shirt Quilt

Break out of the traditional t-shirt logo grid and take a stroll with me down memory lane! We will be mixing our favorite t-shirts with contrasting fabric to create a series of “memory lane” sections. This method creatively fragments the logos, adding visual interest while holding them together in readable paths of color. You will learn various techniques for stabilizing and sewing knits, hand sewing techniques for preserving necklines, and improvisational patchwork techniques for layering, cutting, and piecing without rulers or a pre-determined pattern. All skill levels.

 

A Score For Floating Squares

With jazz music, a score, or lead sheet, is used for indicating the basic melody, chord changes, and arrangement of a song without specifying exactly how the song should be performed. Now imagine a score written to perform a quilt! Students will create an improvisational quilt by working from a simple score rather than a pattern. You will learn basic improvisational sewing techniques and leave with the confidence to create your own patchwork scores for future improvisational projects. All Skill Levels.

 

Posted in Events and Workshops, Modern Improv, The Modern Quilt | Tagged | 15 Comments